Nigga Please

by Matt ConawayHollywood may have Austin Powers, but hip-hop has it's own international man of mystery; his name is Ol' Dirty Bastard. ODB lives and suffers with the adage that any publicity is good publicity, since he hasn't spent the greater part of the last two years gaining widespread notoriety for the music he makes. Rather, he has spent a majority of that time turning up on local crime blotters from coast to coast, trying to raise bail money, recuperating from gunshot wounds, rescuing a kid who was struck by a car, and hijacking the 1998 Grammy awards. With that in mind, it should be obvious by now that personalities of ODB's magnitude come around once in a lifetime. And even though he is repetitiously contradictory with his neurotic ramblings, who cares? That's half of his appeal, as there is an irrefutable attraction to ODB's carefree and inebriated outlook on life. With rhymes frequently so garbled that they are barely decipherable, calling ODB a quintessential lyricist would surely insult the intelligence of any hip-hop purist. Yet the dirt dog is indubitably a distinguished emcee and a uniquely abrasive one at that, as he turns an array of voice cracking/bloodcurdling hooks into grisly masterpieces. Examples include the nonsensical crooning of his Rick James interpolations "Cold Blooded" and "You Don't Want to F**k With Me," and the ridiculously addictive "Rollin Wit You." Despite that ODB's production chores are handled admirably by the Neptunes, Irv Gotti and RZA, the backing acoustics are hardly needed; ODB rarely stays on beat and there is little, or no structure to his rhyme sequences. Safely nestled away in his own little world, there is no containing ODB's free-spirited outlook on life. His is a world that is heavy on shock value, yet undeniably entertaining.