Technical Ecstasy

与Led Zeppelin、Deep Purple被视为英籍重金属乐三大先锋团体 原始专辑发表于1976年，拿下英国TOP13与一枚白 金唱片销售认证，美国也突破五十万门槛 仍然秉持最拿手的Doom以及大玩黑暗的本领，慢板之作 “It’s Alright”让叱吒80年代的摇滚大团枪与玫瑰着迷不已，更爱在演唱会中重新诠释 来自大英帝国，与Led Zeppelin、Deep Purple被视为重金属乐三大先锋团体的Black Sabbath，已成功入籍摇滚名人殿堂，滚石音乐杂志选出「百大世纪伟大艺人」第85名，VH1频道列为「百大优秀硬摇滚乐团」亚军，仅次于齐柏林飞 船，让后辈们无不臣服于他们实验理念、不失艺术兼商业秉持摇滚热血精神，是立下指标性的重要乐团。 Ozzy Osbourne塑造出摇滚大魔头形象，他极高亢的嗓音辨识度以及作风狂妄的舞台表演，都成为Black Sabbath鲜明的注册商标。摇滚界的大哥大Ozzy，与几位志同道合朋友组成Black Sabbath，高分贝的音量、充满血腥与十足感官刺激的舞台表演，一再唤起金属/摇滚迷们欲求解放的心。开创一页页传奇新史，不时为金属/摇滚乐注入全 新气象，作风永远大胆的魔头，仍然屹立不摇成为重量级人物，受到后进新秀膜拜效法。 这张原始发表于1976年的专辑【Technical Ecstasy】，拿下英国Top13外加一枚白金唱片销售认证，美国也突破五十万门槛。仍然秉持着Black Sabbath最拿手的Doom以及大玩黑暗的本领。火力全开的“Back Street Kids”，吉他勐飙以及不时冲出的Solo勾起亢奋情绪，再加上Ozzy一旁的搧风点火，呈现高涨的无比热度，是支相当正点且称头 的开场；“You Won’t Change Me”则拱出耐听的抒情金曲，透着率性依旧的霸气，没人能改变Ozzy的态度，永远都没人可以改变；二连发慢板之作& ldquo;It’s Alright”，交付鼓手Bill Ward担任主音演出，叱吒80年代的硬式摇滚大团枪与玫瑰更是爱在演唱会重新诠释，并收在「Live Era: ’87-’93」现场收音特典裡头；凄美动容小品“She’s Gone”，则套入弦乐的辅佐；最菁华的三强主打歌“Gypsy”、& ldquo;Rock ’N’ Roll Doctor”、与长达七分钟的“Dirty Women”，都是Black Sabbath让你全身摇滚细胞复活的决定曲，不让你爽到最后一秒，绝不罢休！ by Greg Prato Black Sabbath was unraveling at an alarming rate around the time of their second to last album with original singer Ozzy Osbourne, 1976's Technical Ecstasy. The band was getting further and further from their original musical path, as they began experimenting with their trademark sludge-metal sound. While it was not as off-the-mark as their final album with Osbourne, 1978's Never Say Die, it was not on par with Sabbath's exceptional first five releases. The most popular song remains the album closer, "Dirty Women," which was revived during the band's highly successful reunion tour of the late '90s. Other standouts include the funky "All Moving Parts (Stand Still)" and the raging opener, "Back Street Kids." The melodic "It's Alright" turns out to be the album's biggest surprise -- it's one of drummer Bill Ward's few lead vocal spots with the band (Guns N' Roses covered the unlikely track on their 1999 live set, Live Era 1987-1993).