Rock 'n' Roll
John Lennon1975年专辑《Rock N Roll》的再灌录版本,并收录了原版中未出现的四首Bonus Track。这是一张紧凑而且充满精力的唱片,列侬把它献给他心中的摇滚英雄们:Chuck Berry, Gene Vincent, Fats Domino, Little Richard, Ben E. King, Larry Williams 和 Buddy Holly。里面收录了许多他最好的作品,比如Slippin' And Slidin'、Peggy Sue、Stand By Me,歌迷及评论家都给予了这张专辑好评,而且在大洋两岸都登上了第6名。随后他们的儿子Sean出世了,Lennon也成为了一名家庭主夫,他们琐碎的商业工作则由Yoko来照管。 by Dave Thompson Although the chaotic sessions that spawned this album have passed into rock & roll legend and the recording's very genesis (as an out-of-court settlement between John Lennon and an aggrieved publisher) has often caused it to be slighted by many of the singer's biographers, Rock 'n' Roll, in fact, stands as a peak in his post-Imagine catalog: an album that catches him with nothing to prove and no need to try. Lennon could, after all, sing old rock & roll numbers with his mouth closed; he spent his entire career relaxing with off-the-cuff blasts through the music with which he grew up, and Rock 'n' Roll emerges the sound of him doing precisely that. Four songs survive from the fractious sessions with producer Phil Spector in late 1973 that ignited the album, and listeners to any of the posthumous compilations that also draw from those archives will know that the best tracks were left on the shelf -- "Be My Baby" and "Angel Baby" among them. But a gorgeous run through Lloyd Price's "Just Because" wraps up the album in fine style, while a trip through "You Can't Catch Me" contrarily captures a playful side that Lennon rarely revealed on vinyl. The remainder of the album was cut a year later with Lennon alone at the helm, and the mood remains buoyant. It might not, on first glance, seem essential to hear him running through nuggets like "Be Bop A Lula," "Peggy Sue," and "Bring It on Home to Me," but, again, Lennon has seldom sounded so gleeful as he does on these numbers, while the absence of the Spector trademark Wall-of-Sound production is scarcely noticeable -- as the object of one of Lennon's own productions, David Peel once pointed out, "John had the Wall of Sound down perfectly himself." Released in an age when both David Bowie and Bryan Ferry had already tracked back to musical times-gone-by (Pin-Ups and These Foolish Things, respectively), Rock 'n' Roll received short shrift from contemporary critics. As time passed, however, it has grown in stature, whereas those other albums have merely held their own. Today, Rock 'n' Roll sounds fresher than the rock & roll that inspired it in the first place. Imagine that.