Score
美国著名前卫金属乐队梦剧院成军20周年纪念演出,每张专辑抽一首歌来演,然后着重宣传了2005年专辑Octavarium。最为难得的是我终于看到了他们在现场演绎了2002年著名概念专辑Six Degrees of Inner Turbulence第2张碟里的42分钟的同名歌曲,而且还有管弦乐队伴奏! Few bands have garnered as much resounding praise and stern criticism as Dream Theater. Some critics believe the band are an evolutionary dead end, an anachronism that refuses to change with the times. Others state the band are leading the charge of a modern progressive rock renaissance. A more balanced viewpoint may suggest that Dream Theater are an observant and long-lived entity of rock music that embraces the past and present while cutting a unique path to the future. “Score: 20th Aniversary World Tour Live with the Octavarium Orchestra” finds Dream Theater barraging the listener with a 160 minute live performance of 14 songs. The set list covers tracks from Dream Theater’s infancy to the more recent efforts of their eighth studio album, “Octavarium.” Pulling no punches, Dream Theater open with “The Root of All Evil”. Mike Portnoy’s drums hammer away like anti-aircraft batteries against the tank tread chug of John Myung's bass and John Petrucci’s guitar. James LaBrie’s pristine vocals exceed all expectations, hitting the highs of Bruce Dickinson and lows of Peter Steele. Jordan Rudess steals the limelight more than once with punctual keyboard fills and solos. Following such a performance should be daunting but Dream Theater are clearly up to the task. “I Walk Beside You” is a dramatic and uplifting power ballad that finds the entire audience clapping along in time. “Another Won”, a veritable time capsule from 1985, boasts stratospheric vocals and complex instrumental interplay, complete with Van Halen guitars in the foreground. “Under A Glass Moon” is rife with time changes, extended solos, and some remarkable improvisation. Clocking in at nearly 42 minutes, “Six Degrees of Inner Turbulance” is truly a marathon performance. Beginning with a neo-classical movement, the song slowly transforms into full on symphonic metal, calling to mind Dimmu Borgir’s sweeping arrangements and punishing rhythms. “Sacrificed Sons” is more concise and seemingly twice as somber and heavy as “Six Degrees”. Closing the disk is a triumphant rendition of flagship song, “Metropolis.” “Score” captures a benchmark performance by an established and still growing prog rock torch carrier. The band touch base on every segment of their carrier, which should leave most fans happy with this collection. It is worth mentioning that a significant number of fan favorite songs are absent, due to the fact that they are accounted for on previous live albums. The audio quality is superb for a live offering and the band’s flawless execution is spellbinding. “Score” will have Dream Theater's harshest critics reevaluating their stance, while fans will be counting the years to a 30th Anniversary package.