Rude Awakening

Disc 3的Sweating Bullets和Disc 2的不同, 为6分22秒. Rude Awakening is the first live album by American heavy metal band Megadeth. The album was released by Sanctuary Records in 2002, and is the last release before the band broke up in 2002. It was released in both CD and DVD formats. The album was originally going to be recorded live at a concert in Argentina, but due to the September 11, 2001 attacks, the band decided to record it live in the United States. Tracks on the album and DVD are taken from two live concerts, performed two nights in a row in November 2001. The first night was at the Rialto Theater in Tucson, Arizona, followed the next day by an almost identical performance (To ensure clean audio and video footage, and for a variety of editing options), at the Web Theater in Phoenix, Arizona. Dave Mustaine dedicated the performance of "À Tout le Monde" to the victims of the September 11th attacks and mentions this before performing it. Two previously unreleased tracks from the concert, "The Conjuring" and "Time: The Beginning"/"Use the Man" were released on Still Alive... and Well? (which also features "In My Darkest Hour", "Sweating Bullets", "Symphony of Destruction" and "Holy Wars"). "Silent Scorn" can be heard as a tape outro for the band during "Holy Wars". This is the only Megadeth album which does not include the band logo or title on the immediate cover. It is located on the side bar of the album instead. The album's cover was designed by graphic designer Storm Thorgerson (noted for his work with Pink Floyd) and Peter Curzon. (wiki) ------------------------------------------------------------------------------ by Brian O'Neill In what was erroneously believed to be the last Megadeth album (given the arm injury that caused leader Dave Mustaine to fold the venerable band only a couple of months after this album hit the shelves), Rude Awakening is a far better encapsulation of the band's career to date than the spotty Capitol Punishment compilation. Live discs are fraught with their own limitations, and this double set is no exception. Mustaine's singing abilities were never a strong point; however, even bearing that in mind, the likes of "Train of Consequences" and "A Tout le Monde" find him to be straining and barely keeping up. There are occasional glitches, and the long solos that bridge "She Wolf" and "Reckoning Day" -- highlighted by a Jimmy DeGrasso drum segment that is so repetitive it almost gives you carpal tunnel syndrome just listening to it -- don't add much. Still, Megadeth have helped to pioneer a unique-sounding and very technical thrash style, sticking to their guns through myriad member changes and fashion fads, and at the end of the day, Rude Awakening does nothing to taint that legacy.