The Jazz Age

by Thom Jurek Over the last 40 years, singer Bryan Ferry has established himself not only as the frontman of one of rocks most iconic bands, but also as a unique interpreter covering the songs of others. The songwriters hes covered have been transformed into something wholly other by him. Ferrys ability to find and reveal what is hidden in a lyric, a musical phrase, or even a key signature is uncanny. The Jazz Age finds Ferry covering himself in radical fashion: he doesnt sing. He is credited as co-producer (with Rhett Davies) and "director." The Jazz Age celebrates Ferrys 40th anniversary in music by re-recording some of his classic tunes -- from the 1972 Roxy Music album to 2010s Olympia -- inspired by the sounds of 20s jazz. Ferrys looked deeply into the past before -- 1999s As Time Goes By paid tribute to the music of the 30s, an album of sung standards from the era -- but not his own. This set was performed by many of the same British jazz musicians who performed on that record under the musical direction of Colin Good. Musically, Ferry and these musicians drew on the influences of Louis Armstrongs Hot Sevens, Duke Ellingtons Orchestra, Bix Beiderbeckes Wolverines, and the Original Dixieland Jazz Band. But they also found inspiration in the heady historical era before 1929 detailed so intensely in the novels of F. Scott Fitzgerald, Michael Arlen, and Ernest Hemingway. All 13 of these tunes have been wildly revamped and offer interesting textures: a bass clarinet and baritone saxophone are used instead of a double bass to carry the bottom end, but the music here is played so well, it doesnt feel gimmicky. All of the original melodies have been left intact, though tempos are often completely reset. The sprightly "Do the Strand" features piano, brass, reeds, banjo, and drums all competing for dominance (they were recorded live in the studio), and swings hard. "Love Is the Drug" is played as a moaning, bluesy dirge, while "Avalon" retains its sense of melancholy even as clarinets, trumpets, and piano commingle in a midtempo dialogue on different aspects of the melody. "Virginia Plain" is a fingerpopping dancefloor jaunt that recalls flappers doing the Lindy Hop. Given that Ferry doesnt sing on The Jazz Age, the appeal for casual fans is debatable. But for the faithful, trad-jazz heads, and open-minded listeners, the musical quality -- from expert arrangements, virtuosic playing, and the brilliant concept -- offer something wholly different and rewarding.