Prima Donna

by Evan C. GutierrezFilippa Giordano is known as a chameleon in the classical and pop worlds alike. Her incredible vocal prowess sets her apart from virtually every pop vocalist on the market. Her interest in incorporating pop musical styles and mastery of pop/R&B ornamentation and improvisation makes her something of a rarity in the classical world. Her third original production, Prima Donna, demonstrates this genre straddling strategy's strengths and weaknesses alike. The Sicilian diva's rendition of pop classics such as "Como He de Vivir Sin Tu Cariño" showcase her staggering technique and her unusual comfort with contemporary styles. "Una Voce Poco Fa" demonstrates Giordano's amazing command over classical vocal techniques. The only noticeable gap is in the production. Classical selections lack the depth and richness that a strictly traditional project could offer. There's a lack of depth and guts present on most big, dramatic pop productions. Though the varied repertoire keeps interest, straddling two genres prevents her being firmly footed in either. The young vocalist has many promising years ahead of her. Hopefully at some point her label will figure out how they want to use her. There's a difference between diverse styling and indecision, and Giordano's talent is far too valuable to suffer such a silly ailment.