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A Way Away

A Way Away

Had it not been for Britney Spears, the world wouldn’t have been introduced to bad boy gone good Kevin Federline and his monumental release Playing with Fire. What a random statement to pop in my head. In completely unrelated news, I was stunned to find out Finland’s pixie rock outfit Indica had secured a deal with Nuclear Blast. What’s more, the German label has published the band’s first English-language album, A Way Away. And by stunned, I, of course, mean that everyone could have seen this coming a mile away. Perhaps we need to rewind a bit. Indica is one of Finland’s most successful all-girl rock-pop groups, and a popular guilty pleasure within the Finnish metal crowds (for reason or another… or ten). The band first shot to the mainstream in 2004 with Ikuinen Virta, but truly rocketed to stardom after another Finnish girl pop-rock group, Tik Tak, called it quits. Tik Tak also tried international stardom by touring with teen herpes-purveyor Aaron Carter (little brother of Backstreet Boys‘ Nick Carter… just so you know.) Being very Finnish in sound, it’s hard to namedrop bands that the American audience might know. Perhaps by disregarding all conventions, I get to call it a clusterf**k of Nightwish, Blackmore’s Night, The Corrs and Kelly Clarkson. But, like, not really. It’s simply whimsical Finnish pop-rock, which draws inspiration from other Finnish rock bands and from quirky little children’s books and tales. Oh, and it’s totally not metal. A Way Away is sort of a best-of album, as it collects songs from the band’s Finnish-language back catalog. Yet, it’s not a simple ‘change words into English’ sort of a deal either, as the songs themselves have been altered slightly to cater to an international audience: Nightwish fans. A Way Away has been produced by Nightwish mainman/keyboardist Tuomas Holopainen. And his touch shows. Granted, he also had his fingers in the band’s previous album as well, but this time around the songs are more massive, symphonic and soundtrack-driven than the band’s original, innocent and local fairyrock. There’s definitely something lost with the translation. The band used to have somewhat of a personal ring to their sound, but now it just seems too polished and bland. Uninspired even. The songs – deep down – are still the same, however. Another indication of this is the fact that singer Jonsu’s expression has taken a hit with the introduction of the new language. She just doesn’t seem that comfortable spouting lyrics in English, even if there’s nothing wrong with the actual pronunciation. All in all, this reminds me of how Katra (who?) wound up translating an album for Napalm Records a few years back. The difference lies in that Indica has proved it’s not a one hit wonder. Plus, there’s some credibility in the fact that they never took part in the Eurovision song contest either. Yet, it will be interesting to see how Nuclear Blast will market this and actually get it to sell, as Indica is far and away from being a metal band, even when some of the tweaks try their darnedest to prove otherwise. Yet, those very same alterations work against the whole package as all they do is sandpaper all the peculiarities away. And as we all learned from watching The Wire: watered down angel dust just doesn’t cut it.

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