搜索成功 √ 返回继续
音乐地址
下载链接
音乐ID
音乐歌词
音乐名称
音乐作者
Brahms: Symphony No.1 / Schumann: Piano Concerto

Brahms: Symphony No.1 / Schumann: Piano Concerto

Klaus Tennstedt recorded the Brahms Symphony No.1 commercially in the studio in 1983, but it was an early release and has not been available for many years. This BBC Legends release is a new addition to his live discography, and will be a “must” for all his fans. It is very dramatic and powerful. The Royal Festival Hall concert was described by one critic as “a forceful yet often radiant performance, the essential outlines well prepared in rehearsal, but leaving something to add in spontaneous response…”. The fact that Tennstedt here is caught live is very important for all collectors who, on occasions, lamented the emotional difference between his studio performances and the white hot risk-taking of the live event. This is one of Tennstedt’s great performances recorded on the wing. BBC Legends has also released one of Tennstedt’s infrequent performances of Brahms’ Symphony No.3 (BBCL41672), coupled with Beethoven’s Symphony No.7. The coupling features the very distinguished Cuban pianist Jorge Bolet playing the Schumann Concerto “live” (he did not enjoy studio recording!). It perfectly complements the Brahms coupling with a broadly conceived and poetical performance, which was always the wish of the composer’s widow Clara. Bolet’s performance here was described as “thoughtful…the antithesis of what might have been expected from a virtuoso hitherto perhaps best known for his commanding brilliance in Liszt”. To the collector, Bolet is very close to Adelina de Lara’s recording in style. BBC Music Magazine May 2009 **** “Despite the Royal Festival Hall's dry acoustics, Tennstedt draws a beautifully warm sound from the orchestra and the outer movements are delivered with grandeur and real sense of urgency.” Gramophone Magazine May 2009 “Virtually every conductor worth his salt has recorded Brahms's First Symphony. But Klaus Tennstedt's and the London Philharmonic performance… leaves an indelible impression because it is so glowing and warm-hearted. Everything has time to breath and speak in this least febrile of performances. The Andante sostenuto's lyricism and the Elysian Fields conjured in the following Un poco allegretto e grazioso could hardly be more hauntingly contrasted; the unleashing of Brahms's awe-inspiring grandeur in the finale's final pages achieves all the exultance Hugo Wolf so obstinately denied in Brahms.” Sunday Times 22nd February 2009 *** “The opening has tragic intensity — the falling sevenths as desolate as I have ever heard them, the dynamic range exceptionally wide (a Tennstedt trademark). The Andante is unusually slow (though what had “andante” come to mean by 1876?), but with the flexible pulse that Brahms would surely have wanted. The Schumann concerto (1984) is another fine performance, with Jorge Bolet the admirably sensitive soloist.”

声明:本站不存储任何音频数据,站内歌曲来自搜索引擎,如有侵犯版权请及时联系我们删除,我们将在第一时间处理!

自若本站收录的无意侵犯了DJ或DJ所属公司权益,请通过底部联系方式来信告知,我们会及时处理删除!90听吧 

90听吧-免费MP3下载|流行DJ舞曲|抖音热门歌曲|网络热门歌曲|酷狗音乐排行 联系邮箱tamg2352@163.com

点击下载标准MP3

点击下载高品MP3

如下载音乐出现空白
换其他浏览器可解决

输入口令获取高品质无损音乐