Tenor Arias

This is the debut recital of Calleja, a 26-year-old Maltese tenor. His voice is as bright as a new penny, with a quick vibrato and a sweetness---plangent at times---which is very appealing. He sings favorites here but imbues each of them with a really individual stamp: Alfredo's Act II aria from Traviata has rarely sounded so urgently youthful (here, and throughout, the leadership of Riccardo Chailly is wonderfully sensitive and alert); Macduff's aria is filled with sadness and sung with a long, heartfelt line; "Questo e quella" has swagger and so does "La donna è mobile," but neither is marred by giggles or outbursts of any kind, and the latter's cadenza encompasses every note, clearly articulated. His high notes tend to be a bit wiry (a D flat at the end of "Possente amor" is a dud) but they're still exciting. Edgardo's big scene from the end of Lucia rarely works on CD; here Calleja gives us the desperation, the shock and the tragedy in a vivid portr! ayal. All through the recital he's musically and textually attentive; he's scrupulous about the composer's markings and has thought about each character's situation. This is a very impressive introduction to a fine young tenor, and the presentation, with chorus where required and second verses included, is equally good. Bravo! --Robert Levine