Damn the Torpedoes

美国流行摇滚音乐人Tom Petty和他的乐队The Heartbreakers的成名作，曾登上Bilboard专辑排行榜的第二位（输给了Pink Floyd的 The Wall），有3首打榜单曲。虽然一般把他们的曲风归入经典摇滚一类，但他们也勇于在音乐中尝试各种元素。 这张专辑在滚石杂志选出的500张历代最强专辑中排名第313位。 by Stephen Thomas Erlewine Not long after You're Gonna Get It, Tom Petty & the Heartbreakers' label, Shelter, was sold to MCA Records. Petty struggled to free himself from the major label, eventually sending himself into bankruptcy. He settled with MCA and set to work on his third album, digging out some old Mudcrutch numbers and quickly writing new songs. Amazingly, through all the frustration and anguish, Petty & the Heartbreakers delivered their breakthrough and arguably their masterpiece with Damn the Torpedoes. Musically, it follows through on the promise of their first two albums, offering a tough, streamlined fusion of the Stones and Byrds that, thanks to Jimmy Iovine's clean production, sounded utterly modern yet timeless. It helped that the Heartbreakers had turned into a tighter, muscular outfit, reminiscent of, well, the Stones in their prime -- all of the parts combine into a powerful, distinctive sound capable of all sorts of subtle variations. Their musical suppleness helps bring out the soul in Petty's impressive set of songs. He had written a few classics before -- "American Girl," "Listen to Her Heart" -- but here his songwriting truly blossoms. Most of the songs have a deep melancholy undercurrent -- the tough "Here Comes My Girl" and "Even the Losers" have tender hearts; the infectious "Don't Do Me Like That" masks a painful relationship; "Refugee" is a scornful, blistering rocker; "Louisiana Rain" is a tear-jerking ballad. Yet there are purpose and passion behind the performances that makes Damn the Torpedoes an invigorating listen all the same. Few mainstream rock albums of the late '70s and early '80s were quite as strong as this, and it still stands as one of the great records of the album rock era.