[00:00.00]90听音乐网 www.90T8.com [00:40.76]It's one hazy panoply [00:42.94]Recount this halcyon age [00:45.43]I turn to Anthony [00:48.01]When he turned to Karleinz and Cage [00:50.49]But no one's really there [00:53.03]Does that mean it's done in vain [00:55.62]If no one really cares [00:58.32]I'm back to acting strange [01:00.71]Like Daniel Johnston in Texas [01:04.05]At some point in the eighties [01:05.98]Passing out his cassettes with [01:09.29]The j-card that he drew oh did he ever expect it [01:14.37]I guess it's just what happens when the music's a respite [01:19.35]The world is so appalling and you come to detest it [01:25.19]And you could say that I was nervous then [01:29.20]Fairly awkward now [01:31.89]Leave the speakers loud [01:34.44]When you feel self doubt [01:37.08]If there's any chance [01:39.63]That we'd still hang out [01:42.17]We could detail dreams [01:44.86]While we stare at passing clouds [02:08.25]Those modal masterworks [02:10.48]Atonal oeuvres it seems [02:12.97]When I ask afterwards [02:15.92]All message lost inbetween [02:17.95]The shifting aperture [02:20.58]Depicting sun-soaked scenes [02:23.23]I guess they resonate [02:26.53]That's Universal Consciousness [02:29.08]Take two of Ascension [02:31.72]The Shape of Jazz to Come and [02:33.85]Laurie Spiegel's inventions [02:36.85]O'Rourke or Zorn and Oliveros all deserve mention [02:42.03]You're dancing in a room and no one's paying attention [02:47.23]Addressing my reception with a focused eye [02:51.80]To the passing clouds [02:54.45]I'll be there for you [02:56.98]When you're feeling down [02:59.57]Any given day [03:02.10]You can find me 'round [03:04.75]In a despondent way [03:07.34]In a study best called brown
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[00:00.00]90听音乐网 www.90T8.com[00:40.76]It's one hazy panoply
[00:42.94]Recount this halcyon age
[00:45.43]I turn to Anthony
[00:48.01]When he turned to Karleinz and Cage
[00:50.49]But no one's really there
[00:53.03]Does that mean it's done in vain
[00:55.62]If no one really cares
[00:58.32]I'm back to acting strange
[01:00.71]Like Daniel Johnston in Texas
[01:04.05]At some point in the eighties
[01:05.98]Passing out his cassettes with
[01:09.29]The j-card that he drew oh did he ever expect it
[01:14.37]I guess it's just what happens when the music's a respite
[01:19.35]The world is so appalling and you come to detest it
[01:25.19]And you could say that I was nervous then
[01:29.20]Fairly awkward now
[01:31.89]Leave the speakers loud
[01:34.44]When you feel self doubt
[01:37.08]If there's any chance
[01:39.63]That we'd still hang out
[01:42.17]We could detail dreams
[01:44.86]While we stare at passing clouds
[02:08.25]Those modal masterworks
[02:10.48]Atonal oeuvres it seems
[02:12.97]When I ask afterwards
[02:15.92]All message lost inbetween
[02:17.95]The shifting aperture
[02:20.58]Depicting sun-soaked scenes
[02:23.23]I guess they resonate
[02:26.53]That's Universal Consciousness
[02:29.08]Take two of Ascension
[02:31.72]The Shape of Jazz to Come and
[02:33.85]Laurie Spiegel's inventions
[02:36.85]O'Rourke or Zorn and Oliveros all deserve mention
[02:42.03]You're dancing in a room and no one's paying attention
[02:47.23]Addressing my reception with a focused eye
[02:51.80]To the passing clouds
[02:54.45]I'll be there for you
[02:56.98]When you're feeling down
[02:59.57]Any given day
[03:02.10]You can find me 'round
[03:04.75]In a despondent way
[03:07.34]In a study best called brown