[00:00.00]90听音乐网 www.90T8.com [00:00.39]Le if professional songwriters had written them instead things might have turned out considerably differently for example consider the old favorite with which I'm sure you're all familiar [00:09.81]Ot clementine you know： [00:10.95]In a cavern in a canyon [00:13.53]Dadada dadadada [00:15.30]A song with no recognizable merit whatsoever and imagine what might have happened if for example cole porter had tried writing this song the first verse might have come out like this： [00:36.15]In a cavern in a canyon [00:40.05]Excava ha ha hating for a mine [00:43.80]Far away from the boom boom boom of the city [00:51.21]She was so pretty what a pity clementine [01:14.88]Oh clementine can't you tell from the howls of me [01:20.16]This love of mine calls to you from the bowels of me [01:23.73]Are you discerning the returning [01:25.83]Of this churning burning yearning for you oo oo ah ah [01:27.54]Well supposing at this point that mozart [01:31.14]Or one of that crowd [01:34.59]Had tried writing a verse the next one might have come out as a baritone aria from an italian opera somewhat along these lines： [01:49.98]Era legera e come un fairy [01:52.02]E suo shoes numero nine [01:54.42]Herring bo ho ho hoxes senza to ho ho hopses [01:56.73]Sandalae per clementina si per clementina si [02:00.48]Per clementina sandalae per clementina sandalae per clementine [02:06.39]Clehementina clehementina clehe he mentina [02:08.91]Herring boxes senza topses sandalae per clementina [02:19.35]Herring boxes senza topses sandalae per clementina [02:24.78]Che sciagura clementina che sciagura clementina cara clementina cara [02:34.29]Clementina na na na na na na na [02:37.08]Supposing at this rather dramatic juncture in the narrative one of our modern cool school of composers had tried writing a verse the next one might have come out like this： [02:48.00]Drove those ducklings to the water [02:55.47]Yeah brach doddley doo doo uh ah [02:59.49]Ev'ry morning like 9am [03:01.65]Ooh pah de do de do do do biddley da [03:05.85]Got hung up on a splinter got a hung up on a splinter [03:31.71]Cloo ge mop huh huh [03:33.03]Do de do de do do do [03:38.25]Fell into the foamy brine dig that crazy clementine man [03:46.32]To end on a happy note one can always count on gilbert and sullivan for a rousing finale full of words and music and signifying nothing [04:04.74]That I missed her depressed her young sister named esther [04:07.17]This mister to pester she tried [04:08.82]Now her pestering sister's a festering blister [04:12.60]You're best to resist her say I [04:14.61]The mister resisted the sister persisted [04:16.62]I kissed her all loyalty slipped [04:18.14]When she said I could have her her sister's cadaver [04:19.89]Must surely have turned in its crypt [04:21.87]Yes yes yes yes [04:22.74]But I love she and she loves me [04:27.06]Enraptured are the both of we [04:35.40]Yes I love she and she loves I [04:37.59]And will through all eternity [04:40.77]See what I mean
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[00:00.00]90听音乐网 www.90T8.com[00:00.39]Le if professional songwriters had written them instead things might have turned out considerably differently for example consider the old favorite with which I'm sure you're all familiar
[00:09.81]Ot clementine you know：
[00:10.95]In a cavern in a canyon
[00:13.53]Dadada dadadada
[00:15.30]A song with no recognizable merit whatsoever and imagine what might have happened if for example cole porter had tried writing this song the first verse might have come out like this：
[00:36.15]In a cavern in a canyon
[00:40.05]Excava ha ha hating for a mine
[00:43.80]Far away from the boom boom boom of the city
[00:51.21]She was so pretty what a pity clementine
[01:14.88]Oh clementine can't you tell from the howls of me
[01:20.16]This love of mine calls to you from the bowels of me
[01:23.73]Are you discerning the returning
[01:25.83]Of this churning burning yearning for you oo oo ah ah
[01:27.54]Well supposing at this point that mozart
[01:31.14]Or one of that crowd
[01:34.59]Had tried writing a verse the next one might have come out as a baritone aria from an italian opera somewhat along these lines：
[01:49.98]Era legera e come un fairy
[01:52.02]E suo shoes numero nine
[01:54.42]Herring bo ho ho hoxes senza to ho ho hopses
[01:56.73]Sandalae per clementina si per clementina si
[02:00.48]Per clementina sandalae per clementina sandalae per clementine
[02:06.39]Clehementina clehementina clehe he mentina
[02:08.91]Herring boxes senza topses sandalae per clementina
[02:19.35]Herring boxes senza topses sandalae per clementina
[02:24.78]Che sciagura clementina che sciagura clementina cara clementina cara
[02:34.29]Clementina na na na na na na na
[02:37.08]Supposing at this rather dramatic juncture in the narrative one of our modern cool school of composers had tried writing a verse the next one might have come out like this：
[02:48.00]Drove those ducklings to the water
[02:55.47]Yeah brach doddley doo doo uh ah
[02:59.49]Ev'ry morning like 9am
[03:01.65]Ooh pah de do de do do do biddley da
[03:05.85]Got hung up on a splinter got a hung up on a splinter
[03:31.71]Cloo ge mop huh huh
[03:33.03]Do de do de do do do
[03:38.25]Fell into the foamy brine dig that crazy clementine man
[03:46.32]To end on a happy note one can always count on gilbert and sullivan for a rousing finale full of words and music and signifying nothing
[04:04.74]That I missed her depressed her young sister named esther
[04:07.17]This mister to pester she tried
[04:08.82]Now her pestering sister's a festering blister
[04:12.60]You're best to resist her say I
[04:14.61]The mister resisted the sister persisted
[04:16.62]I kissed her all loyalty slipped
[04:18.14]When she said I could have her her sister's cadaver
[04:19.89]Must surely have turned in its crypt
[04:21.87]Yes yes yes yes
[04:22.74]But I love she and she loves me
[04:27.06]Enraptured are the both of we
[04:35.40]Yes I love she and she loves I
[04:37.59]And will through all eternity
[04:40.77]See what I mean
