Anael
小简介 纯净歌者--Anael，她的嗓音极其飘逸而空灵，纯净的透彻，没有炫耀的技巧，没有花哨的情节，就是那么简简单单的演唱着带有歌词的旋律，却让我们仿佛可以感受到一种圣洁的光芒的笼罩。 女孩安奈尔的歌声，那么的无助，那么的纤弱，那么的令人心动而去安静的聆听女孩的心声，她在慢慢的告诉你，她的心情，她的爱情。多情女子安奈尔发挥她仙乐飘飘的嗓音歌唱与与绝美的旋律糅合的本事，为凡间俗谱出彷若天籁的「unconditional」，醍醐灌顶的无比浪漫音乐，芊芊若若的歌声，在你眼前呈现的将是有雨过天晴，彩虹乍现的美丽新世界.混沌世代中，你最需要的纯净歌声. 安奈尔的歌声，经常被全球专业乐评拿来与恩雅和莎拉布莱曼相提并论。她们皆属空灵质感的美声，但艾娜儿更多了一份梦幻的气质。她的嗓音如云朵般柔软，音质则闪耀着丝绢般光泽，尤其在多维空间混音后，彷佛让人置身于天使围绕的仙境里。 布莱曼的空灵歌声中也少有的…女孩,安奈尔的歌声，那么的无助，那么的纤弱，那么的令人心动而去安静的聆听女孩的心声，她在慢慢的告诉你，她的心情，她的爱情。从97年出道以来，安奈尔的歌声，经常被全球专业乐评拿来与恩雅和莎拉布莱曼相提并论。她们皆属空灵质感的美声，但艾娜儿更多了一份梦幻的气质。她的嗓音如云朵般柔软，音质则闪耀着丝绢般光泽，尤其在多维空间混音后，彷佛让人置身于天使围绕的仙境里。 就连跨海的韩国也迷醉她的歌声，在黄金档电视剧「商道」中，特邀艾娜儿诠释英文主题曲《this heart of mine》。颂赞希望、爱与和平，回归人性的纯真善美本辑中，安奈尔彷佛化身成来自天界的仙子，在情感浓烈的弦乐合奏、气氛庄严的管风琴，以及如星光闪烁的银铃声响烘托下，一开场就让人陷入洁白无垠的圣境之中，望却红尘俗世的喧嚣扰攘。此外，她更结合大自然的飞鸟啼鸣、蜿蜒流水等天籁声响，营造出属于天外桃源的异次空间，颂赞着希望、爱与和平的信念，让人性回归纯真善美，重拾人世间最单纯的感动. 虽然，Anael的音乐风格类似于Enya，但是，比Enya更实在，更贴近我们，更可以被我们所接受。在她的音乐中，New Age Music的音乐风格作用体现无疑，支配和建筑起她那充满魅力的音乐。Enya的作品带有凯尔特音乐的明显风格，而且喃呢的歌声模糊而无法抓住，而只有[May It Be]确切点吧！但是，Anael的作品则是标准的New Age Music的轨迹和类型作品，让我们聆听她的歌声，和音乐融为一体，仿似更多听到的是一种音乐，一种人声创造出来的纯音乐。 Although French Canadian vocalist Anael has a lushly orchestrated sound that's obviously indebted to Enya, she isn't nearly as influenced by Celtic folk, preferring to draw inspiration (and, occasionally, repertory) from classical, choral, and liturgical music, as well as jazz, pop, and new age. Still, most of her material is penned in the present day by her collaborator Bradfield, who generally handles composition, arrangements, instruments, and production on her recordings. Born and raised in Saguenay, a town in northern Quebec, Anael became interested in music as a teenager and entered several talent competitions; however, after performing locally on both radio and television, she put music on the back burner until meeting Bradfield in 1993. After Bradfield released his own album, Harmony in the Chaos, in 1995, the duo set about recording Anael's own debut the next year. Titled Light of Refinement, the record received positive reviews upon its release in 1997, as well as comparisons to ethereal female vocalists like Enya and Maire Brennan. The follow-up Unconditional appeared in 1998, further establishing the duo's concern with spiritual themes. 1999's Language of the Soul added French lyrics to Anael's array of languages, which already included English and Latin; additionally, several Hebrew texts were used as source material.
